I didn’t set out to write in a particular genre. In fact I’m not sure where the plot for my first novel came from, but I am fascinated by the way most of us make decisions in our teens that inform and influence the rest of our life.
I have heard, on more than one occasion, that the protagonist in a first novel can strongly resemble the authors imaginary life.
Not wanting to risk writing a veiled autobiography, for my first novel I chose a female protagonist. Then she needed to have one of those life defining problems, so she became pregnant – without being sure who the father was. Looking back I now realise that I didn’t entirely escape the ‘borrowing from real life’ syndrome, but at least it wasn’t my life, just someone close to me.
In fact my daughter pointed out that I’d also used someone I know as a template for the villain of the drama (fortunately nobody else has noticed, especially the person in question).
I didn’t think about a categorising my work until after I’d finished that novel and someone asked me which genre I wrote within. It took a few years, and a lot more writing, for me to feel comfortable with the phrase ‘commercial women’s fiction’ – and I’m still not sure that’s accurate. I write about relationships between people – that’s what interests me more than crime, science fiction, history, mystery, murder or fantasy.
Having said that, the novel I’m currently working on is set 100 years in the future and may stray into YA fiction. But it’s still basically about relationships – about trust, betrayal, love and greed.
Did you set out to specifically write within one genre?
My first novel was planned meticulously I had no idea how ‘real’ authors developed their plots. Previously I had tried to write a novel with very little planning and my plot got confused, I got confused – even the characters in my novel got confused. So I set about working out everything beforehand.
Here is my nerdy, old-fashioned, personalised method of plotting. You will need… Hundreds of small bits of cardboard Two coloured felt-tip markers (blue edge on a card for a chapter head and date, red for a chapter summary) A pen of your choice that doesn’t smudge easily A roll of clear sellotape A cup of tea (coffee is an acceptable alternative) Patience
The advantages of this method (which I still use in a modified form) You only need to know three or four things in your plot, scribble them on bits of card and put them on your table.
You don’t have to imagine a whole plot in one go. Once you’ve started you can move them around, add ideas, even push some to the side. Before you know it the story will grow in front of you. Sellotape them together before the wind blows them all over the floor (it happened to me once).
Don’t let it rule you In my work process this is produced as a guide only. Once I start writing everything changes. But you can just cut up your bits of card and replace them with new strands and characters as they appear. You can see my scribbled character spider in the top left of the picture.
Software options There are software programs that emulate this method and probably give you more options, but… 1) I don’t have a computer screen as big as my table. 2) Getting away from the screen can liberate your imagination – it’s a touchy-feely method.